MUS 175
Sound Art, Public Music
Fall 2015
Division I
Cross-listed
ARTS 273
This is not the current course catalog
Class Details
Western music performance traditionally occurs within contained spaces in which “performer” and “audience” adhere to designated locations and follow tacit scripts: seats/stage; applause/bows, etc. In recent years, traditional boundaries and scripts of performance and reception have moved into public spaces–from sound art installations to ambient music, from interactive sound sculpture to radio art to social media driven flash mobs. This course studies the work of pioneers in public music and sound art including Alvin Lucier, Bill Fontana, John Cage, Trimpin, Brian Eno and Gregory Whitehead, among others. The course will alternate between study and analysis of particular artistic strategies and the creation of site-specific works on and around the Williams campus.
The Class:
Format: seminar
Limit: 12
Expected: 8
Class#: 1649
Grading: yes pass/fail option, yes fifth course option
Limit: 12
Expected: 8
Class#: 1649
Grading: yes pass/fail option, yes fifth course option
Requirements/Evaluation:
class participation, three short (2-4 page) essays, a response journal and the creation of four public music works
Prerequisites:
none
Enrollment Preferences:
upperclass students
Distributions:
Division I
Notes:
This course is cross-listed and the prefixes carry the following divisional credit:
MUS 175 Division I ARTS 273 Division I
MUS 175 Division I ARTS 273 Division I
Class Grid
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HEADERS
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MUS 175 - 01 (F) SEM Sound Art, Public Music
MUS 175 - 01 (F) SEM Sound Art, Public MusicDivision IMR 2:35 pm - 3:50 pm
Chapin Boardroom1649
Megamenu Social