Teaching modes (remote, hybrid, in-person) are subject to change at any point. If this happens, faculty will be in contact with students enrolled in their courses.

To determine if a course is remote, hybrid, or in-person use the catalog search tool to narrow results. Otherwise, when browsing courses, the section indicates teaching mode:

R = Remote
H = Hybrid
0 = In-person

MUS 149
The Language of Film Music Spring 2021
Division I

Class Details

Filmmakers have relied on music from the earliest days of silent movies (often accompanied by live musical performance) to our present age of slickly-produced online video. Along the way, trends have arisen (and have been artfully thwarted) in countless film scores, whether constructed from preexisting works or specially crafted by composers like Max Steiner, Duke Ellington, Bernard Herrmann, John Williams, James Horner, Micachu, or Björk. In this class, we will look at and listen to films from different periods and cultures, observing which techniques evolved, which have changed very little, and considering when an idea is borrowed and when it might actually be new. We will also discuss the impact this language has on the experience of the viewer, and how film music functions in the wider culture. Assignments will consist of listening/viewing, responding in writing, and re-interpreting film clips with music you will compose or borrow.
The Class: Format: lecture
Limit: 19
Expected: 19
Class#: 4421
Grading: yes pass/fail option, yes fifth course option
Requirements/Evaluation: assignments, quizzes, midterm essay, final creative project
Prerequisites: none
Enrollment Preferences: given to juniors and seniors
Distributions: Division I

Class Grid

Updated 4:44 am ET

Course Catalog Search

(searches Title and Course Description only)



Start Time
End Time