PSCI 28
Shakespeare and the Law in the Movies Winter 2024

This course will begin with an analysis of the social, political and religious framework of the Elizabethan world into which Shakespeare was born in 1564. We will examine the development of the English common law from its earliest origins in medieval times through Shakespeare’s day and then analyze the relationship of a number of his early history plays to the Elizabethan concept of law and social order. We will consider several plays, including but not limited to, The Merchant of Venice, The Winter’s Tale, Julius Caesar, Hamlet, and Measure for Measure, to see how Shakespeare used the law and legal principles in those works. Among the questions to be examined are how faithful was he to the law as he understood it? What dramatic licenses did he take? What did his use of the law tell us about Shakespeare the playwright and the dramatist? Film excerpts from Royal Shakespeare Company productions of the trial scenes in four of the plays listed above plus film selections from the Falstaff plays will be utilized to demonstrate the legal principles under discussion. We will visit Shakespeare and Company in Lenox, MA, to meet with its artistic director for a behind the scenes tour and a conversation on the challenges of producing classic Shakespeare in the modern world of social media. Finally, we will all recite soliloquies on top of Stone Hill. In addition, we will take up the “Famous Authorship Question,” much beloved by under-employed PhD. candidates. Was William Shakespeare of Stratford-upon-Avon the Author of the Plays, a man all but unknown outside of Oxfordshire, obscure, almost an historical non-person, who could not even spell his own name the same way on any page of his last will and testament? Or was the true Author one of several prominent Elizabethans, who by birth, education and experience far outshone the Stratfordian and who had every compelling reason to keep their Authorship a secret.