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This course surveys Soviet and Russian cultural history of the 20th- and 21st-centuries through the history of the cinematic medium. We will watch and analyze key films of this period–films by Eisenstein, Vertov, Tarkovsky, Muratova, Balabanov, Zviagintsev, and Fedorchenko among others–from a double perspective. On the one hand, we will study the cultural and historical contexts of the Soviet Union and Russia; on the other hand, we will learn the formal and stylistic aspects of the cinematic medium as it developed historically (from silent, to sound, to color, to digital etc.). From this double perspective, we will try to answer a larger question that underlies this course: What kind of historical thinking we can learn through cinema as a medium? In other words, we will take cinema neither simply as a direct reflection of state ideology nor as pure aesthetic form or entertainment for the masses. Rather, we will approach the films of this period as audio-visual texts that are rich in historical content and require our informed and attentive interpretation.
Format: seminar; discussion
Grading: yes pass/fail option,
yes fifth course option
Participation, weekly viewing and reading responses, one presentation, final paper or video essay
none, open to all students
declared or prospective Russian or Comparative Literature majors, Russian Certificate seekers, Global Studies concentrators
This course is cross-listed and the prefixes carry the following divisional credit:
GBST Russian + Eurasian Studies Electives