ARTS 112
Introduction to Documentary Filmmaking Spring 2025
Division I D Difference, Power, and Equity

In a 2010 article, New York Times film critic A. O. Scott described documentary film as ‘heterogeneous to the point of anarchy.’ However, in the intervening decade, documentary has become simultaneously more commercial and formulaic. This course takes this notion of heterogeneity to heart, acquainting students with a wide array of creative approaches and key debates in documentary film. In addition to a historical, ethical and critical foundation in the field of documentary, students will acquire a basic grounding in the fundamentals of video production, including cinematography, sound and editing. Course requirements include class attendance and regular critiques, weekly film screenings and readings outside class, 2-3 minor filmmaking exercises, and major assignments in the form of 3-4 short nonfiction video projects.